Syllabus
Painting II, 230 Art
Prerequisite: 220 Art
Time: TTH 1:30pm to 4:15 pm Place: Humanities 133
Office Hours: Mon. 10am-noon, 4-5pm; Wed 10am-noon, 4-5pm; Friday
10am-noon, 1-5pm
Humanities Bldg.: Office, Room 125 - or Art Studio, Room 133
Text: No Text, Recommended Reference Sources:
Mayer, Ralph. Artist's Handbook of Materials and Techniques. Recent
Edition.
Artist's Manual, Complete Guide to Painting and Drawing Materials
and Techniques, Angela Gair, editor. San Francisco, CA: Chronicle
Books, 1996.
Course Description: Painting II is designed to direct the student
in the development of personal style and advanced painting technique.
Students will apply painting knowledge and identify imagery toward
the creation of artworks exemplifying their own personal expression.
Course Objectives: In the studio environment the student will
explore and demonstrate their knowledge in the art of painting.
The course objective is to enhance the student's skill in the
manipulation of color, composition, and imagery leading toward
unique expression in the visual arts . Students will evaluate
and critique their work and the works of their peers to achieve
literal interpretation of their visual creations.
Course Outline:
1. Subject matter, imagery, and preliminary work.
2. Introductory piece
3. First Painting Series. (approximately 2-3 paintings in relation
to time involved - as observed by the instructor.)
4. The media in relation to the style. Second Painting series.
(approximately 3-4 paintings in relation to time involved - as
observed by the instructor.)
5. Presentation of the work.
Required Assignments: see course outline
Critiques: All students are required to attend and participate
in the critiques; work must be completed prior to the critique;
and students should be prepared to discuss their developments
and the work of their peers.
Grading: Grading is based on the continuous development of individual
style; originality of idea/s; ability to communicate effectively
visually through the artworks and literally through written and
verbal critiques; degree of seriousness reflected through participation
and attendance; and artistic and /or painterly expression.
Attendance and promptness: Students MUST attend the entire class
period. Studio sessions and critiques are virtually impossible
to make-up. Four absences will merit a drop in letter grade. Six
absences merit a failing grade.
Academic Dishonesty: Acts of academic dishonesty merit a failing
grade in the course and will be reported to the Dean of the School
of Liberal Arts.
Studio policy:
1.All students are required to maintain a serious academic attitude.
If this cannot be maintained the student will be given a failing
grade for the session and asked to leave. If this reoccurs the
student will receive a failing grade in the course and will be
reported to the Dean of the School of Liberal Arts.
2. Student may not have guests during any of the class sessions.
3. Clean-up your area before you leave. This includes properly
disposing of garbage, painting thinner, returning of studio equipment,
and cleaning up any oil paint on the furniture.
4. Actions of sexual harassment or aggressive behavior will not
be tolerated and will be reported in accordance to KCTCS procedure.
General Education Competencies
Think Critically
Demonstrate problem solving through interpreting, analyzing, summarizing,
and/or integrating a variety of materials. This will be accomplished
through various approaches both intellectually and technically
in the creation of paintings.
QEP: Action and Creation (Level 4) A primary goal in the Painting
courses will be demonstrated through the creation of paintings
that display accomplishment in technique, personal expression,
and serious exploration of ideas. Success in this will be measured
through regularly scheduled classroom critiques where each of
these aspects will be carefully analyzed and discussed. Furthermore,
a selection of work will be publicly exhibited at the end of the
semester in a gallery setting - in this the student will have
the opportunity to experience an examination of their artworks
by a diverse audience. The most excellent works will be digitally
photographed and submitted to OCTC E-Gallery, pending permission
of the student. This online presentation of the student's work
is designed to display the success of the student, the course,
and the college. A second venue for public display for is the
annual publication of the Skylark , OCTC's Literary Art's Journal.
A selection of artworks that display each of the previously stated
characteristics in the most excellent manner will be considered
for publication in this journal.